Friday, July 31, 2009

Hotties who went under knife to look Sexy


More than talent, it is the overall oomph factor of an actress that is responsible to make it big in Indian cinema. And to win this personality contests, Bollywood wannabe babes just need to pass 3 criteria- looks, looks and yes, looks!

No wonder, our tinsel town divas take painstaking measures to keep themselves ever beautiful and oh-so-perfect, so what if that means they have to go under the surgeon’s knife to get that perfection. After all, masterpieces have to be chiseled and carved to perfection!

Let’s take a quick look on the Bollywood beauties, who underwent drastic plastic surgeries, and came out looking like a dream that could give Greek goddess Aphrodite a run for her money.

Ahem and to that, may we also add a few disastrous plastic surgery goof-ups, babes who came out of the surgery looking like nightmares!

source:bollywood101.com

Salman is ready for marriage, I'm not - Katrina Kaif


After being termed as the lucky mascot of Bollywood, after having become the face of every possible big brand.

After having been voted as the Sexiest Woman for umpteen times, after having graced a million magazine covers, the gorgeous Katrina is the latest cover-girl in this edition of 'People'.

Call this as a 'confession edition' or whatever you may like, but this issue of 'People' is definitely something that can be preserved for ages to come.

As it's in this issue, Katrina clears off all the airs and controversies (read gossip and rumors) that constantly surround her!

To start with, she clarifies her take on Salman being ready for marriage, while she isn't! Other clarifications include the much alleged spark between her and Ranbir.

source:bollywood101.com

Saif-Kareena on a kissing spree


Can you name the most-kissed couple in Bollywood? No prizes for guessing! Lovebirds Saif Ali Khan and Kareena Kapoor are on a kissing spree of late, and that too with other actors.

Yes, Saif-Kareena have kissed 15 times in just two films. Just on the heels of Kareena kissing Akshay Kumar 10 times in their recently released film Kambakkht Ishq, Saif is said to have kissed Deepika Padukone five times in their film Love Aaj Kal which is set for release tomorrow.


Kareena defended her kisses, saying that the script demanded it. Nobody complaint following the good opening the film witnessed.

Now, the question is whether Saif's kisses will pull in the crowds to the theatres. You don't have to wait for too long for the final verdict will be out tomorrow when it hits the theatres.

source:bollywood101.com

Vidya Balan signed up for Yash Chopras next?


There is a strong buzz in the industry circles that Vidya Balan has been signed by Yash Chopra for his directorial next. It is the same project which was supposed to star Aamir Khan along with Preity Zinta. But while, Aamir is still being non-committal about being approached for the project, other news making the rounds is that Preity has been replaced by Vidya Balan.

Sources are claiming that it is a love story spanning ages, but is completely different to what Chopra’s last directorial effort Veer Zara was. Incidentally, Veer Zara also had its lead pair Shah Rukh Khan and Preity Zinta playing characters both young and old.

Sources further claim that Yash Chopra intends to begin this film by early 2010 and make it a grand Diwali 2010 release. He will be finally directing a film after 6 years since he directed Veer Zara (2004).

While there has been no confirmation from both Vidya Balan or Yash Raj Films yet, we can only imagine right now what crackling chemistry it would be of Aamir and Vidya, and to top it all with romance king Yash Chopra directing it.


source:bollywood101.com

I am romancing Yuvraj is a rumour says Preity Zinta


After been dumped by Ness Wadia, the Bollywood actress Preity Zinta denied her affair with Indian batsman Yuvraj Singh.

Preity mentioned that the media is hyping my relations with Yuvraj but this is fake news and her pictures with Yuvraj have been presented in wrong the senses. Preity also stated that after wining the match Preity and Yuvraj hugged each other which a common thing, he was the captain of her team so, she was with Yuvraj that doesn't mean that she is in affair with him.

She also said that she has been seen with a lot of actors in different movies that doesn't mean she is doing romance with them. Yuvraj Singh is just her friend.

According to the sources, Preity Zinta went for a holiday to overcome her grief after her break up with Ness Wadia. Now she is back from the holidays and busy in raising her career.

source:bollywood101.com

Bollywood Divas and their Rich Sugar Daddy!


They say ‘Behind a successful man there is a woman’. Somehow our tinsel town cries out a different equation.

In Bollywood ‘Behind a fashion-queen there is a Rich Sugar Daddy.’ Who effectively takes care of all her bills, and efficiently pays them all on time!

Preity Zinta: This dimple-cheeked diva lassoed the businessman Ness Wadia with her irresistible charm. Mr. Wadia might not have contributed much in her flourishing career; still, considering.

Preity’s restrained financial background, he definitely brought a sea of change in her life-style by elevating her status-quotient.

With her Rich Sugar Daddy paying up for the Gucci’s and Versace’s Preity dropped her favorite tom-boyish look.

And fluttered around in society events all dressed up in high-fashion! The T-shirts and Jeans went to the bottom of the trashcan, and out came the designer-torn jeans for the IPL matches.

source:bollywood101.com

Vidya Balan to pair up with Aamir


Vidya Balan is the latest entrant to Yash Raj camp. The actress who rejected Yash Raj's offer on two previous occasions has finally given her nod. The actress is reportedly pairing up with Aamir Khan in the film. YRF first approached her for Jhoom Barabar Jhoom, but the actress turned down the role.

Which eventually went to Lara Dutta. Vidya was again offered Laaga Chunri Mein Daag by Yash Chopra but it seems the movie didn't interest her. After her two denials, Yash Chopra had decided never to cast Vidya in his films. But apparently Yash Chopra has decided to forget the past and make a fresh beginning. Vidya this time got a call from Yash Chopra himself and she couldn't say no.

soure:bolywood101.com

Bipasha-moving-back-to-her-home


Both Bipasha Basu and John Abraham have been busy this year getting their respective homes renovated.

Bipasha, it seems, has won the race to renovation. Her home in Khar (Mumbai) under renovation for the past one year is finally ready. And she is moving back to her home.

Heaving a sigh of relief Bipasha said, “The house warming puja is tomorrow (Wednesday) since there is no other auspicious day close by.

But it will take another ten days for all of us to move back into our home. It’s been one helluva wait.

The architects and designers took much longer than we thought they would. But finally I’m going home. I can’t wait. I’m tired of living out of suitcases.”

source:bollywood101.com

Katrina-Kareena--friends-again-


Bollywood is strange, so are the stars. After listening to what the sweet Katrina Kaif had to say about her, Kareena seems to have forgotten all the rivalry or jealous that was sprouting among them.Recently Katrina presented her compliments on Bebo’s performances and professional attitude.Listening to this Kareena seems to be quite appreciative and in return wants to thank Katie. Knowing Bollywood, it friendships, its jilts, its rivalries, it would be wrong to say that this is the beginning of a friendship between Kareena and Katrina, but this definitely give positive vibes as both drop weapons.

source:bollywood101.com

I-am-not-a-rock-star


Though her debut movie Luck wasn't so lucky for her, Shruti Haasan [ Images ] didn't go unnoticed. The actress who also sang in Soham Shah's movie looked striking though she could have opted for a better launch vehicle.

She spoke to Nithya Ramani about her rock band, her take on love and relationships, and who she thinks is the most dishiest actor in Bollywood. Excerpts: How has life changed since Luck? It hasn't changed. I am as excited and happy as I was the first day I decided to be an artist. I get to meet new people and do fun stuff.

This is your debut. How was the experience from first day to last of shooting Luck? Awesome and nerve-wrecking at times. I was debuting and wondered what I was doing here, if I could pull this off, shooting with creatures that were at any point ready to bite off a limb. It was all in all very exciting to have had that opportunity.

source:bollywood101.com

Emraan-Hashmi-cant-buy-a-house-in-Pali-Hill


Bollywood serial kisser Emraan Hashmi has became a victim of discrimination here in the tinsel city. The Bollywood actor denied permission to buy an apartment in Posh Pali Hill locality in the city.

The Pali Hill's Nibbana Cooperative Society politely blocked the sale to Hashmi saying that society will not give NOC to him.

A disappointed actor said he was denied permission because of belonging to a minority community. “The housing society is discriminating against him because he is a Muslim,” the actor said.

However, on-screen Kissing King has approached state minority commission against the discrimination and lodged a complaint in this regard.

source:bollywood101.com

Rimii-Sen-to-play-a-160kg-woman-in-Showman


Rimii Sen will now soon be seen playing an obese woman in Tigmanshu Dhulia’s upcoming next, Showman. The film also stars Govinda, Celina Jaitley and South star Harish.

Rimii tells us that she has been asked to put on an astounding 160 kg for the role. But well most of her weight shall be added up by padding it seems.

About the film, Rimii says, "It will be too early to reveal anything more but I can assure you that the role is very interesting. Most of my time went in just putting on and removing the make-up."

Showman is directed Tigmanshu Dhulia who has to his credit the critically acclaimed Haasil and also Charas. Rimii’s next release will be Sankat City which stars Kay Kay Menon, Anupam Kher and Chunky Pandey. Its comedy written and directed by Pankaj Advani who has written Shah Rukh Khan starrer Kabhi Haan Kabhi Naa.

Incidentally Showman was earlier titled King Con and was the same film which was in news for Govinda’s whimsical ways on the film’s sets. Govinda plays a smooth talking con man in the film and both Celina and Rimii play his love interests.


source:bollywood101.com

Sunday, July 26, 2009

Scene at Comic-Con 2009

Veer Zaara Do Pal (Full Song)

Comic-Con: Joss Whedon and a 'Dollhouse' duo


Joss Whedon -- the man, the myth, the lymph node (he said it!) -- presided over a "Dollhouse" discussion that broke out after the screening of the not-so-lost episode "Epitaph One."

Renewed after speculation of its demise, the show, and probably more so the man, drew a full Ballroom 20 crowd to hear quips such as this dig against NBC's "Heroes."

"As long as we don't send anyone to feudal Japan, we're OK right?"

Ouch. The episode itself was pretty great. A future -- and I realize I'm saying a future and not the future -- has the whole world going a bit crazy after the imprint technology has been made public, and a small band of dolls and others fight to survive. When sci-fi/fantasy-minded people step out of the sci-fi world they've created to create another kind of alternate one, the results are almost always fun. "Heroes" did it. "Star Trek" did it many times. "Buffy the Vampire Slayer," etc. For a fleshed-out review of the episode, check out the Watcher.

After the episode, Whedon and producer and star Eliza Dushku took the stage. Both explained how Echo will definitely become more self-aware during the season. Dichen Lachman (Sierra) and Fran Kranz (Topher) joined the duo on stage, but not one to drone on too long, Whedon opened the floor to comments. Here are a few of the questions (some paraphrased) and comments:

Q: Why do you keep killing off my favorite characters?

A: I don't like people.

Q. (to Eliza) The questioner heard her sing in an episode and asked when her CD would drop.

A. I don't know about that. I sing AT people. It's more like a weapon than a lovely thing.

Q: Joss is asked if they've thought about the ethical dilemma of putting someone's personality and thoughts into a brain dead body.

A: We talked about a lot of different things when we accidentally forgot to get canceled. ...

-Comment from Whedon: Science fiction and musicals have a weird cross-section ... They do lend themselves to each other in a way that, I don't know, cop shows don't!

Whedon also mentioned that Alexis Denisof of "Buffy" and "Angel" fame, and Summer Glau of "Firefly" and "Terminator: Sarah Connor Chronicles" would be appearing on the show. Another Whedon alumna, Felicia Day, was in the "Epitaph One" episode, and will appear in the new season.

source: latimesblogs.latimes.com

Perry throws a dice in NYC

Katy Perry performed a free gig for New Yorkers this morning, shown live on NBC’s the Today Show.

Americans who rose early enough to catch the performance must have thought they were still dreaming when the pop star sashayed onstage wearing this bizarre outfit, bedecked in fluffy dice.

Perry insisted the frock was a tribute to her track Waking up in Vegas, before revealing she’d have become a stylist if she hadn’t made it as a pop star:

“I enjoy so much creating something that will make someone smile when I walk by. You can say so much without saying anything at all.”

Katy… Make sure they’re laughing with you, not at you.

source:wenn.com

Candy to Tori: Get Real, Baby


Candy Spelling -- the mother famously at war with her daughter -- has taken the bold step of communicating with Tori Spelling through TMZ ... and her opening line isn't gonna get her a lot of invites. Here's the open letter in all its glory:

EXCLUSIVE TO: TMZ.COM
TO: MIDDLE-AGED REALITY SHOW STARS (LIKE MY DAUGHTER)
FROM: CANDY SPELLING

I Know many middle-aged people have issues about their parents and their upbringing. I did. My memories didn't match all those of my mother, and, funny thing, it's the same way with my daughter.

Life has consequences. What you say is on the record. Other people have feelings.


I have a vested interest in this subject. My daughter, Tori's, two-part season finale revolves around my granddaughter's first birthday party and how she has made what seems like an agonizing decision to invite me.

Cue music. Cue sideways glaces. Clue Lights.

I did get an invitation just in time for the RSVP deadline. I'm sure its delivery will be on next week's episode with some comment about my house or driveway or street or something they won't like. I wonder if that will be spread out over one part or two. Sigh.

A big party wasn't how I envisioned meeting my granddaughter for the first time; but, hey, this is Hollywood, and my grandchildren have become reality show props, too. At the time I emailed "yes," I didn't realize I was being set up for a two-parter, even though it was clear I was being invited to be part of a segment for my daughter's reality show.

Spoiler alert. Don't read this if you plan to sit through an hour of people looking at their watches and saying "she's late." I decided my first meeting with my granddaughter should be on home video, not primetime cable; so I emailed that i would not be attending.

Back to other reality stars. My husband taught me that the plots have to be fresh and updated. The same old whining gets tired after a while. Enough complaining about what may or may not have happened during first grade or YMCA camp, or what vegetable you were forced to endure, especially when you are privileged enough to be on TV and get paid for it.

For all the reality show personalities, please remember that real life doesn't get edited to make things better or worse or get better ratings. You're responsible for what you do. Life isn't just a show. And your families can't just be props. Make your own season finale without creating conflicts you will regret later.

source: tmz.com

Review: Not much to love in 'The Ugly Truth'


(CNN) -- Humiliation and comedy have always been natural bedfellows, but the one doesn't guarantee the other, as poor Katherine Heigl discovers in this crude, sub-par stab at a modern screwball comedy.
Katherine Heigl plays the sophisticated female boss of Gerard Butler in "The Ugly Truth."

Katherine Heigl plays the sophisticated female boss of Gerard Butler in "The Ugly Truth."

The "Grey's Anatomy" and "Knocked Up" star plays Abby, a supposedly intelligent producer on a local Sacramento TV news show.

We're repeatedly assured that she's good at her job, though there's little or no evidence for that in what we see, and apparently the ratings are in the toilet.

That's why her boss drafts controversial cable clown Mike (Gerard Butler), whose bargain basement show "The Ugly Truth" gives viewers the real dope on the opposite sex.

Mike's straight talk isn't exactly edifying -- or original. It boils down to this: men are only interested in one thing, and it's not your IQ score.

His advice to women: swallow your pride -- and anything else that might come up.

Abby is understandably skeptical, both professionally and personally, but the sweeps prove her wrong. Mike may be outrageous, but Sacramento loves him for it.

A smarter comedy might make mischief from these base ingredients, the sophisticated female boss and her rude, reactionary star employee. But this movie, which is credited to three female screenwriters, bends over backward to accommodate Mike's tired old sexist world view and fails to be funny in the process.

Abby really is a neurotic control freak, living alone with her cat and a checklist about what constitutes the perfect guy. And when a close approximation of the type moves in right next door (Eric Winton as a handsome young doctor), she only lands him by putting herself in Mike's hands: accentuating her cleavage, losing the ponytail and trading in dinner and an art show for a hot dog and a baseball game.

Directed by Robert Luketic ("Monster in Law"), "The Ugly Truth" barely attempts to disguise its own lifts and tucks. The most craven of these gambits involves Abby going into multiple orgasm at a business dinner, a variation on Meg Ryan's famous scene in "When Harry Met Sally," except that in Ryan's case, she was in full control, demonstrating her mastery of the fake-out.

Abby, though, is sent into inadvertent paroxysms when the remote control of the vibrating panties she's wearing -- don't ask -- falls into the hands of a curious kid. Video Watch the stars describe the scene »

In other scenes, Heigl is caught hanging upside down from a tree in her nightgown, hiding in her office closet and furiously rubbing a stain out of the doctor's crotch in front of a stadium of ball fans. Presumably this is what picking up Julia Roberts and Sandra Bullock's cast-offs entails these days. Katharine Hepburn would weep.

But what about Mike? Surely he has lessons to learn and comic indignities to endure? Not so much. In contrast to Abby's makeover, he's allowed to be comfortable in his own rather corpulent skin. Gerard Butler evidently hasn't worked out since Sparta; heck, he hasn't even bothered to shave.
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You won't be surprised that the avowed bachelor boy falls in love with dear Abby. Of course he's a nice guy underneath. We know that from the way he looks out for his fatherless nephew. So what if he's a sexist pig? He's a sexy sexist pig, and obviously father material. What more could any woman want?

source: cnn.com

Thursday, July 23, 2009

Summer TV shows not so hot for critics


It's not that there aren't things to watch.

On network television, there are plenty of repeats, reality shows and final episodes of series that have been canceled.

But summertime viewing on network television can be a wasteland, especially for bloggers and critics whose gig it is to write and report on TV, said Kath Skerry, founder and editor of the Give Me My Remote blog.

"It's borderline depressing," Skerry said. "Between the onslaught of reality television and what I call filler TV -- shows that the networks may have under contract but they just feel the need to get out regardless of the quality -- it almost feels like [the networks] have given up."

Variety, for many the bible of the entertainment industry, reported on the first four weeks of summer. It said viewership of ABC, NBC, CBS and Fox was down 9 percent, according to Nielsen.

Even more distressing for advertisers, viewership was down 15 percent in the 18-49 demographic and 18 percent in the coveted 18-34 demographic.

Skerry isn't surprised.

The most quality she said she felt she has gotten out of network television this summer has been ABC burning off the final episodes of the canceled series "Pushing Daisies," "Eli Stone" and "Dirty Sexy Money."

Otherwise, Skerry said, the great shows are happening on the cable networks.
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Joe Bua blogs at IAmATVJunkie.com and counts among some of his favorite summer shows HBO's "True Blood," "Torchwood Children of Earth" on BBC America and Showtime's "Nurse Jackie."

"Nurse Jackie" and other shows such as "Mad Men" are luring viewers who want original quality programs.

Fans are even showing up in big numbers for cable reality shows such as "Jon & Kate Plus 8" (currently on a break), and the "Real Housewives" franchise.

Bill Gorman, editor of the TV rating and analysis site TvByTheNumbers.com, said the shift to cable has been a long time coming.

"It's the continuation of a trend that's been going on since the early '80s," Gorman told AfterElton.com. "Viewers continue making the 30-year shift from watching broadcast to watching cable."

Jonathan Storm, a TV critic for The Philadelphia Inquirer, said the apparent ceding of summer to cable by broadcast networks is rooted in tradition and the history of how television started.

"The car manufacturers came out with their new models in September, and the TV people said, 'We will give you new shows to advertise your cars on,' " Storm. "That was part of it and that started in the 1950s."

Storm said there is also a type of "circadian rhythm" to television in that viewers are more inclined to tune in when the days are shorter and colder.

Broadcast networks once were able to afford 39 episodes a year, he said. Now economics often dictate a 22-episode season.

Storm said networks now trot out cheaper-to-produce reality shows -- something CBS hit the jackpot with several years ago after the runaway success of the summer-debuted "Survivor."

"The networks just couldn't afford to make shows all summer long," said Storm, who will soon join his colleagues for one of their summer highlights -- The Television Critics Association's summer tour in Pasadena, California.

"Now they've found the answer," Storm said. "They make all of these ridiculous Japanese game shows -- crash yourself into the red balls, 'Wipeout' show -- and several shows that come on and vanish before most TV critics and the general public even know they are there."

Ronnie Karam, senior editor at TVgasm.com, said he has been doing what a lot of viewers do during summertime -- checking out television shows on DVD that he hadn't watched during the fall season.

"I think that putting television shows on DVD has changed the way a lot of people are watching," he said. "During the summer, you feel like you are really scraping the bottom of the barrel."

Karam said it's a chance to check out critically acclaimed shows that viewers either didn't have the time for or the inclination to watch.

Broadcast networks really haven't figured out what their strategy should be for summer programming, said Jace Lacob, the writer/editor of Televisionary.

"Years ago, you had Fox launching scripted shows early in the summer and you had shows like 'The O.C.'," Lacob said. "You used to have 'American Idol' during the summer as well, which was huge for Fox. But [networks] really haven't gotten a grasp on their summer programming, so they are offering really random shows that nobody is really particularly interested in."

Lacob said some of the offerings have been a mixed bag, such as "The Listener," which didn't exactly catch fire, and "I'm A Celebrity Get Me Out of Here," which he believes wasn't as popular with viewers as NBC had hoped.

Blogger Kath Skerry said that even the publicity push around some of the shows such as "The Listener" and "The Philanthropist," which broadcast networks have premiered during the summer, has not at all rivaled the fall season.
"The promotion around them, I feel like the lack of enthusiasm with how the networks have communicated with bloggers feels very different," she said. "Whether it's true or not, from my standpoint it feels like the networks are not very enthusiastic about the shows

source :edition.cnn.com

Tuesday, July 21, 2009

Music Review: Jordin Sparks' 'Battlefield' is lost


Jordin Sparks, "Battlefield" (Jive Records)

"Battlefield" may be the perfect title for Jordin Sparks' sophomore CD, simply because you'll struggle to get through her warchest of songs.

The 12-track set is overloaded with too many songwriters and producers — Ryan Tedder, StarGate and T-Pain help out, among others. Though all that talent is around, there's no real direction. Some tracks sound Celine Dion-esque while others are clearly crafted for Radio Disney.

"Emergency (911)" and "S.O.S. (Let the Music Play)" are meant to be playful and cute, but they aren't. "Don't Let It Go to Your Head," a FeFe Dobson cover, is clearly not as good as the original, and on "No Parade" and "Let It Rain," Sparks' vocals are impressive but overdramatic.

The majority of the songs are sad love ballads, but Sparks fails to make listeners emotionally connect.

The 19-year-old does prove why she deserved the 2007 "American Idol" crown on the groovy "It Takes More" and the first single, "Battefield." Sparks fares better on the songs she penned (she co-wrote four tunes) like "The Cure," the powerful "Faith" and the exceptional "Was I the Only One."

CHECK THIS TRACK OUT: "Was I the Only One" is a classic-sounding song that finds Sparks smoothly hitting all the right notes at the right times.



Source : news.yahoo.com

Despite glitzy gimmicks, Beyonce connects with fans


LOS ANGELES (Hollywood Reporter) – Beyonce recently topped Forbes' list of the richest stars under 30, but she clearly is not hoarding the money: A ton of it must have been spent on her latest spectacle of a tour.

Despite the title of her latest album, "I Am ... Sasha Fierce," nothing was fierce at all. Warm and fuzzy? Sure. Over the top? You could've bet on that because it's the nature of pop tours these days.

But what made her truly connect with fans wasn't the gimmicks -- confetti raining down during her horn-blasted, opening retro-soul strut of "Crazy in Love," or high-tech movable stage parts and loads of costume changes: It was the music and the way it was delivered that counted the most as she interacted with her band and fans. Many so-called divas and such could learn something here. Are you listening, Madonna?

The two-hour-plus show offered Beyonce's far-ranging styles, from pop and R&B to hip-hop, reggaeton, electronic and dance.

She also dipped into songs by others -- though they were more tease than covers, linked to her own songs. She cooed through a bit of Donna Summer's "Love to Love You Baby," Sarah McLachlan's winsome "Angel" and took a quick tear through part of Alanis Morissette's "You Oughta Know."

She proved adept at each, and it's a shame she didn't just go for the complete numbers.

But "Ave Maria," sung while dancers assembled a wedding dress on her, didn't work at all.

When the crowd cheered, screamed and roared early on in the show, she stopped to beam with a genuine smile. This was a far cry from the Beyonce of some years whose ego appeared to walk ahead of her. But she's grown up -- musically and as a performer.

So while "flying" across the top of the arena in a harness to a small stage in the middle of the floor was a slice of Cirque du Tinkerbell, what followed contained much more emotion, as fans sang her hit "Irreplaceable" before she took over.

For the most heated material, she was Tina, the Next Generation, and some ballads found her in a Streisand mode, down to her phrasing. She's become a much better vocalist, thanks in part to taking on such projects as playing Etta James in the film "Cadillac Records" and appearing in the film adaptation of Broadway's "Dreamgirls," both of which played a part in the night's diversity.

The show certainly had its flaws, and some material was hammered out and shrill or served up through pretentious videos, like a sci-fi segment.

At one point, Beyonce spoke of believing in female empowerment, citing her all-woman band and backing singers. Even among her co-ed dancers, the men often were in costumes with their faces covered.

Such sisterhood shout-outs are well and good, especially for pumping up the self-esteem of her younger fans. Some might claim she's on a feminist-agenda tack, but that's nonsense. All those mini-dresses and even racier skimpy outfits were not just for the women in the audience.

Ultimately, it's all about marketing and branding, from music to clothing lines, fragrances and more. Beyonce has long been a product. That's the way it's been since she emerged as the breakout star in Destiny's Child a decade ago.

Now, some might argue that's the nature of pop -- and very often it is. But the best moments of the concert weren't about glitz and flash: They were about making a connection. And if she pursues that path, it's a direction that might bring greater artistry, with marketing secondary.



Source : news.yahoo.com

The Best of Times' draws reader into the action

The Best of Times" (Knopf Doubleday Publishing Group. 608 pages, $26), by Penny Vincenzi: An ordinary Friday afternoon becomes a nightmare when a truck driver loses control of his vehicle on a London highway and causes a multicar pileup.

In her latest novel, Penny Vincenzi chronicles the stories of those affected both directly and indirectly by the accident, and shows how minor choices can lead to an unexpected outcome. "The Best of Times" is a page-turner, with a plot that draws the reader into the action.

Characters include an elderly widow on her way to a reunion with a long-lost love; a seemingly faithful husband who is caught with his mistress; and an aspiring actress who is already late for an audition.

The novel takes each character through the accident, then chronicles what happens long after their lives suddenly intersect in a time of crisis, showing how good things can result from even the worst of circumstances.

"The Best of Times" isn't a quick read; it's lengthy — and there's a lot to take in. Some characters are more interesting than others, but Vincenzi writes in great detail about all of them, so it can be exasperating to read through sections about certain characters to reach the more compelling stories. She also introduces so many characters, it's hard to keep track of them all.

Vincenzi writes from various points of view, and often tackles class structure, politics, infidelity and romance. "The Best of Times" isn't quite as good as some of her previous novels ("Sheer Abandon," "An Absolute Scandal") but, overall, it's exciting, intriguing and saucy.



Source : news.yahoo.com

Music Review Son Volt's newest album a lovely mix


Son Volt, "American Central Dust" (Rounder)

Son Volt's newest album "American Central Dust" oozes the kind of sultry alt-country heat that seeps into your ears.

Leader Jay Farrar may get less attention than Wilco's Jeff Tweedy, his bandmate in seminal '90s band Uncle Tupelo, but his talent as a singer-songwriter is abundantly clear on "Dust."

Farrar's world-weary twang and poetic, politically inspired lyrics elevate such tunes as "Down to the Wire" and "When the Wheels Don't Move," with its distorted guitar and railing against the car industry. A country-ish Flying Burrito Brothers vibe courses throughout.

Live, the tunes sound even better.

At a recent show in Los Angeles, Farrar's voice lifted up in bright harmony, backed by lead guitarist Chris Masterson's spiraling riffs, Andrew Duplantis' noodling bass, Mark Spencer's slinky lap steel and organ and Dave Bryson's expert drumming.

"Body and soul, cocaine and ashes/ We'll get to that place in time," Farrar sang with verve on the gorgeous "Cocaine and Ashes," a passionate tribute to Keith Richards, on record.

Skillful, smart, soulful, Son Volt is already there.

CHECK THIS OUT: "Dust of Daylight," a beautiful, graceful ballad, slow rides on pedal steel, as Farrar emotes, "Love is a fog, and you stumble every step you make."



Source : news.yahoo.com

The Ugly Truth' isn't pretty


LOS ANGELES – At the end of the drearily formulaic romantic comedy "The Ugly Truth," as our two leads are finally admitting they've fallen for each other (no spoilers here, folks), Katherine Heigl's character asks Gerard Butler's why he's in love with her. Basically, he says he has no idea, only he phrases it with a word we can't reprint here.

Our sentiments exactly.

Obviously, in a battle-of-the-sexes comedy like this, the guy and the girl who hate each other at the beginning realize they're meant for each other by the end. But there's nothing even remotely likable, much less lovable, about Heigl's Abby Richter. She's a control freak who runs a tight ship at a Sacramento TV station, producing the morning news with unflappable efficiency and zero creativity.

She uses the same approach in her personal life, which is why she's hopelessly single, despite the fact that she looks like Katherine Heigl. Abby prints out talking points to go over with her blind dates, for example, and has a 10-item checklist of requirements for her ideal man.

Sure, it's meant as a joke, but come on. The idea of a woman being so rigid and frigid is purely archaic — which is why it's so disheartening that the script comes from three women: Karen McCullah Lutz and Kirsten Smith, who had much greater success writing female characters in "Legally Blonde" and "The House Bunny," and first-timer Nicole Eastman.

Robert Luketic, who also did better work with "Legally Blonde," directs the slapstick antics in rather unspectacular fashion. A scene in which Abby has an accidental orgasm during a dinner with her bosses just falls flat.

That gag exemplifies one of the movie's chief problems. "The Ugly Truth" strains to distinguish itself from the other movies of the genre with graphically sexual and profane dialogue; rather than being offensive or amusing, the approach feels like a transparent and desperate attempt at being edgy.

Butler's brash Mike Chadway has made a bit of a name for himself in town as host of the cable-access show "The Ugly Truth," in which he spits out misogynistic dating advice and abuses callers. When Abby's station hires him to do his shtick in an effort to boost ratings, he and Abby immediately clash. Naturally, that will change.

Not only does he tell her what to say and do when she lands a date with Colin (Eric Winter), her too-good-to-be-true doctor neighbor, he also oversees her obligatory makeover, getting her out of conservative jeans and sweaters and into va-va-voomy dresses and heels. So it's a retread of both "Pygmalion" and "Cyrano de Bergerac," but "The Ugly Truth" settles down some and becomes vaguely tolerable in these scenes when Mike and Abby banter about relationships.

Mike's rough charms work on everyone, including the station's bickering husband-and-wife anchor team, played by John Michael Higgins and Cheryl Hines in a waste of both actors' capabilities. Because deep down, of course, he's just as vulnerable and in need of love as everyone else.

Butler's regular-guyness makes the character more likable than he should be; but Heigl, for all her screen presence, looks great but seems stiff, as if she's uncomfortable with the wilder physical comedy of the character. It ain't pretty, but it's true.

"The Ugly Truth," a Columbia Pictures release, is rated R for sexual content and language. Running time: 100 minutes. One and a half stars out of four.


Source : news.yahoo.com